Charles Atlas' site-specific projection is an approximately eight-minute piece, broken down into 1-minute chapters, which each feature a characteristic combination of abstract shapes and numerals. Chapters begin with a splash of color that starts at the base of theMART's façade and rises to the top of the turrets, animating and exploring the structure and architecture of theMART.
"I am very excited to be working with Art on theMART on my first public art commission," said artist Charles Atlas. "In my recent installation work I have been working at a large scale, but never at nearly the scale of the Chicago piece, which is inspired by and in response to the architecture of the façade of theMART. The projection represents a continuation of a tendency of some of my recent video work towards pure color and abstraction."
Charles Atlas has been a pioneering figure in film and video for over four decades. Atlas has extended the limits of his medium, forging new territory in a far-reaching range of genres, stylistic approaches and techniques. Throughout his production, the artist has consistently fostered collaborative relationships, working intimately with such artists and performers as Leigh Bowery, Michael Clark, Douglas Dunn, Marina Abramovic, Yvonne Rainer, Mika Tajima/New Humans, Antony and the Johnsons, and most notably Merce Cunningham, for who he served as in-house videographer for a decade from the early 1970s through 1983; their close working relationship continued until Cunningham's death in 2009.